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Table of Contents
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Thumbnails, Part 4:
Prints made for Illustrated Books (These prints are not included in the catalogue raisonné proper.) |
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A Biographical Chronology
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A Catalogue Raisonné
(in progress)
Title: Calle de Madrid evocando a Goya
(Madrid Street Scene Evoking Goya)**
Series: Madrid Prints
Click the image for enlargement.
Date: C. 1931-34***
Medium: Drypoint, possibly including some etching****
Edition: At least 5 numbered impressions and one unnumbered impression*****
Dimensions: 350 x 275 mm. (13 13/16 x 10 7/8 in.)
Printer: Adolfo Ruperez
Paper: Wove with Arches watermark
Signature: Typically signed in pencil, l.r., beneath the plate mark
Public collections holding this print: CU
Topic galleries for this print:
Couples
Street Scenes
*Catalogue Entry #: For numbering used in other catalogues, see below.
- The Pierre Matisse Gallery Catalogue # =5.
**Title:
- The Spanish title, Calle de Madrid evocando a Goya, appears in the artist's hand in pencil on at least one impression (See Fig. 1 below.)
- The only known impressions bearing titles in the artist's hand for Madrid Series prints are in the Hemingway Collection and carry their titles l.l. where the numbering normally appears.
- The Pierre Matisse Gallery Catalogue (1934) uses the title "Calle de Madrid," leaving off "evocando a Goya."
- The English version of the title, "Madrid Street Scene Evoking Goya", is our translation and doesn't appear on any observed impression.
Fig. 1
***Date: No date appears on any of the observed impressions of this print. Of the dates that appear on works in the Hemingway Collection, which includes this print, none is earlier than 1931 and none later than 1934. Quintanilla started making drypoints, in fact prints in general, with Adolfo Ruperez, the printer of all the prints in the Madrid Series, sometime after the artist's return to Madrid in 1929. (See Biographical Chronology.)
- The one known exception to the range of dates specified in the paragraph just above is entry # I.
****Medium: A final determination for the medium has not been made.
- For a discussion of the factors involved, visit the "Medium" section of "Using This Catalogue Raisonné."
*****Edition:
- An observed impression is inscribed in pencil "n°5," l.l.
- Ruperez typically printed ten or fewer (most commonly 7-10) of Quintanilla's Madrid Series prints, often including at least one or more unnumbered impressions. (No record exists of more than two unnumbered impressions of any of the Madrid prints.)
- The Hemingway Collection typically includes one unnumbered impression bearing a title instead of the number, l.l. (See Fig. 1 above.)